- #CLEAN UP GREEN SCREEN LIGHTKEY SKIN#
- #CLEAN UP GREEN SCREEN LIGHTKEY FULL#
- #CLEAN UP GREEN SCREEN LIGHTKEY PORTABLE#
- #CLEAN UP GREEN SCREEN LIGHTKEY SOFTWARE#
This helped us try to balance out the light so we don’t have problems when we start composting in nuke. We went into the studio and started setting up the lights and used an app called “green screener” which pointed out the areas where the lights hit. Iso 400 | WB 6500k | Tint 10 | Shutter 180 | Fps 24įocus infinite | F stop 8 1/3 | Height of Camera 142 cm | Eye to Grip 160 cm Iso 400 | WB 6500k | Tint 10 | Shutter 180 | Fps 24įocus infinite | F stop 4 | Height of Camera 141 cm | Eye to Grip 238 cm When shooting we measured everything needed to guide us when we go into the greenscreen – everything with a shot with a black magic camera. We managed to shoot the pathway showing a bit of depth of field as well as outside a small coffee shop. Our location was a small pathway just off high street Kensington. That being said, keeping these best practices in mind can save you hours in the editing room.After splitting into groups, we were given a task to shoot two backdrops for a greenscreen. If their hand goes out of the background, for example, you pretty much lose the shot.įinally, remember that a perfect green screen is not always possible. In rehearsal, have your subject go through all movement and keep an eye on your shot. Make sure your subject stays in front of the screen. Add a motion blur effect back in later to still get that cinematic look. You can also reduce motion blur by using a tripod and limiting camera movement.
When shooting, raise your shutter speed to reduce motion blur to help get a clean effect. If you want to level up and incorporate movement, there are a couple more considerations:
The most basic green screen setup is a talking head. To avoid shadows, make sure your subject is at least six feet away from the green screen. If you can’t get the whole screen lit evenly, focus on the area touching the subject, as the other parts can be masked out pretty easily.įinally, triple-check that your subject is not casting any shadows on the green screen, and consider using a diffused backlight to further separate your subject from the background. Next, light the green screen as evenly as you can, so in post-production, you only need to key out one shade of green. Even if you correctly separate your subject from the background, if you can’t get the final lighting and color to match, then the end result still won’t look natural. Most attention should be paid to making sure your subject is lit to match the final composited shot. Lighting is by far the most important aspect of shooting against a green screen, and there are two main points to consider: lighting the subject and lighting the green screen.
#CLEAN UP GREEN SCREEN LIGHTKEY FULL#
If you need to shoot a person’s full body, you will need a full seamless backdrop. This smaller style is perfect for talking heads clips.
#CLEAN UP GREEN SCREEN LIGHTKEY PORTABLE#
Screens are available that hang from stands, or the portable pop-out style is great for using on-the-go and for storage. The next best thing is a smooth fabric screen with no wrinkles or reflective material. An ideal green screen is a painted green wall, but that isn’t always possible. But, in the scenario where you have to shoot something green, or your subject must wear green, you can alternatively opt for a blue backdrop. Camera sensors tend to be the most sensitive to greens as well.
#CLEAN UP GREEN SCREEN LIGHTKEY SKIN#
Using a green screen is typically the best because green is the color furthest away from human skin tones. The first item of business is to confirm that you do, in fact, want a green screen. That being said, chroma-keying can get tricky in post, and there are a lot of factors to consider when shooting to set yourself up for success and ensure excellent results.
#CLEAN UP GREEN SCREEN LIGHTKEY SOFTWARE#
This visual effects technique is called chroma key compositing, and ngowadays, even free video editing software like iMovie will have the capability to key out greens from your footage. In post-production, the green color is digitally removed, and the subject is composited against a background. In video production, if you want to place your subject someplace else-on a beach, for example, when you live in the midwest-you probably know you need to shoot against a green screen.